This article was published in Vol 59 No 1 of The Journal of Australian Ceramics, April 2020.
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© The Australian Ceramics Association 2020

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BIBLIOGRAPHY.

Die Schwarze Seite - Museum DKM, Duisburg, Wienand Verlag Köln, Germany 2018, ISBN 978-3-86832-474

Claudia Terstappen - Culture Spirit Identity, Warrnambool Art Gallery, 2016 ISBN 978-0-9942226-6-4

Claudia Terstappen - A Language of the Vanishing , La Trobe University Museum of Art, Melbourne 2016, ISBN 9781921915918

Claudia Terstappen - In the shadow of change, Monash Gallery of Art, Melbourne 2013, ISBN 978-1-876764-21-0

Claudia Terstappen - Tanz, Tod und Beschwörung (Ritual, death and incantation), Museum DKM, Duisburg, Germany 2012,  ISBN 978-3-942650-04-5

Flynn, Paul, Claudia Terstappen in Artists Profile“, issue15, 2011 page 88-92

‚Darmstaedter Tage der Fotografie: Vision – Aussicht aufs Leben’; Darmstadt, Germany, ISBN 978-3-9810254-8-4, p 96 – 101

‘Linien Stiller Schönheit, aus der Sammlung DKM_Band 1’, Museum/Stiftung DKM, Duisburg, Germany 2008, S. 228-231, ISBN 3-981500-0-2

Marsh, Anne, A Language of the Sacred, Claudia Terstappen, in: eyeline no 59, summer 2005-2006, Australia, ISBN 08188734

Claudia Terstappen - Places of worship , Monash University, Melbourne 2005, 
ISBN 0-9756060-9-3

Bufill, Joan , Lugares Sagrados, Claudia Terstappen, Kowasa Gallery Barcelona, in: “La Vuanguardia” 14.1.2004/ Cultura No 82 (review)

Ooms, Anne, Heilige Orte - Sacred Places, Claudia Terstappen, NT Centre for Contemporary Art, Darwin, 9 - 31.5.03,  review in:  “Photofile”, August 2003

ARCO 03, Feria internacional de arte, ARCO / IFEMA, Feria de Madrid, Spain 2002, S. 329

Fragmentos,  Propuesta para una Colección de Fotografia Contemporánea, Colección Rafael Tous de Arte Contemporáneo. Diputación Provincial de Malaga, Spain 2002, ISBN84-7785-493-9

Claudia Terstappen - Sacred places, Düsseldorf, Germany2002, ISBN 3-9807575-4-4

 Fragments”, Proposta per a una Col. lecció de Fotografia Contemporania, Col.lecció Rafael Tous d’ Art Contemporani , Museu de la Universitat d’ Alacant (MUA), 8.11.2002 - 23.2.2002. Universitat d’Alacant, Museu Universitat d’Alacant, Spain 2002, ISBN 84-931911-7-5

Mirar el mundo otra vez , Galeria Spectrum Sotos, Ajuntamiento de Zaragoza, Zaragoza, Spain 2002

Welche Landschaft wollen wir ? , Hildegard Kurt und Erwin Wortelkamp, Kunstverein Hasselbach, Germany 2002, ISBN 3-89279-580-0

ARCO 01, Feria internacional de arte, ARCO / IFEMA, Feria de Madrid 2002, S 310-311

ARCO 02, Feria internacional de arte, ARCO / IFEMA, Feria de Madrid 2002 , S. 330-331

 Fragmentos - Collección Rafael Tous, 3.5. - 28.6.01, Centro Cultural “Casa del Cordón”, Caja de Burgos, Spain 2001, ISBN 84-87152-67-8

Huesca Imagen 5.7. - 31.7.01, Diputación de Huesca e Ibercaja, ISBN 84-95005-16-6

East 2001, Norwich Gallery, Norwich School of Art and Design, Great Britain 2001, ISBN 1-872482-54-6

Potlatch, Galeria Palma Dotze, Barcelona , Spain 2001

BT 9, Monthly Art Magazine, Bijutsu Techo, Vol. 53, No 810, September 2001, Barcelona Art Report, S. 74, Spain 2001

Woman of the World - A Global Collection of Art, curated by Claudia DeMonte, herausgegeben von Pomegranate California 2000, ISBN 0-7649-1334-4

Zen und die westliche Kunst , Museum Bochum 25.5 - 20.8.2000, Bochum, Wienand Verlag, Germany 2000, ISBN 3-8093-0219-8

Kunstforum, Edition 152, Oktober - Dezember 2000, S. 348/349 Claudia Posca - “Zen und die westliche Kunst”, Museum Bochum 25.6. - 20.8.2000, Germany

Claudia Terstappen - Geister am Jucurucu, Schuffelen Verlag, Cologne, Germany 2000, ISBN 3-929769-66-2

Sculpture, Painting, Print  - Osaka Triennale, International Contemporary Art Competition, Document 1990 – 1998,  Osaka Prefectual Government / Osaka Foundation of Culture, Osaka, Japan 2000

 Im Tal , Jörg und Karen van den Berg für den Lehrstuhl für Kunstwissenschaft, Ästhetik und Kunstvermittlung der Universität Witte/Herdecke und für den Kunstverein Hasselbach, Duisburg, Berlin, Germany pict.im, 1999, ISBN 3 - 932256-04-2

Osaka Triennale 1998 - Sculpture , 9th International Contemporary Art Competition 1998, Osaka Prefectual Government and Osaka Foundation of Culture, Osaka, Japan 1998

Claudia Terstappen - Je crois aux miracles, Riberac 1997, published by ADDC e Centre Culturel de Riberac, France1998

Foreign affairs, Europäische Akademie für Bildende Kunst, Trier, Germany 1998

Van der Most, Jan , ‘Pablo’ (Mexico) aus der Serie “Schicksale” seit 1995 ’, ‘ lose Folge # 8,  Claudia Terstappen,, Postkartenausgabe, Düsseldorf 1998

Letzter Aufguß, Kulturamt, Düsseldorf 1996

East International, Norwich Gallery and Sainsbury Centre for Visual Arts, Great Britain, 1995, ISBN  1 872482 16 3

Flächenbezogene Kunst, 48. Bergische Kunstausstellung, Städtische Galerie Deutsches Klingenmuseum, Solingen, Germany 1994

Berliner Sommerakademie, Bildende Künste 1994´, Berlin, Germany 1994

East International, Norwich Gallery, Great Britain1993, ISBN 1872482 09 0

Terstappen, C. - et.al. in: ´Quer-Beet´, Charly & Annekathrin Hüskes, Krefeld, Germany 1992

Glück Auf, München, Popa Verlag, Germany 1992, ISBN 3-925818-92-8

Terstappen, C. - in: Brandmeier, M. & Terstappen, C., Studio Galerie, Westfälisches Museumsamt, Münster, Germany 1990

Claudia Terstappen - ´Power is only dangerous if it´s in the wrong hands´, Concept Verlag, Düsseldorf, Germany 1989, ISBN 3-92122421-8

Arghir, Anca, Transparenz als Werkstoff, Wiegand-Verlag, Cologne 1988, Germany, ISBN 3-87909-180-3

Claudia Terstappen - ´Der Versuch einen Pharao zu restaurieren´, Düsseldorf, Germany 1987

CULTURE SPIRIT IDENTITY. (2016)

A Language of the Vanishing. (2016)

IN THE  SHADOW OF CHANGE. (2013)

TANZ, TOD UND BESCHWÖRUNG/ RITUAL, DEATH AND INCANTATION. (2012)

PLACES OF WORSHIP. (2005)

30 pages, soft cover

Published by: Monash University, Melbourne 2005, ISBN 0-9756060-9-3

SACRED PLACES. (2002)

60 pages, soft cover

Published in Germany 2002 for the exhibitions:   Galeria Spectrum Sotos, Zaragoza (25.4 -26.5.2002);  Städtische Galerie im Rathauspark, Gladbeck/Germany (3.5-30.6.2002), Stiftung DKM, Duisburg/Germany (23.6 - 2.9.2002) and Galerie Hellebrand, Duisburg/ Germnay (23.6 - 2.9.2002), ISBN 3-9807575-4-4, with texts in German, Spanish and English. 

SPIRITS AT THE JUCURUCU. (2000)

130 pages, hardcover

Published by:  Schuffelen Verlag, Cologne, Germany 2000, ISBN 3-929769-66-2, with texts in German, Spanish and English.

Articles.

EXHIBITION INVITES.

Click to open Downloadable invitations and catalogues.

BOOK CHAPTERS.

Terstappen C. In Dialogue with Nature and ‚ A Conversation between Marian Hosking and Claudia Terstappen, March 2007’, in ‘Marian Hosking: Jewellery’, Living Treasures: Master of Australian Craft, Object, Thames & Hudson 2007, ISBN 978-0-9803540-2-7

Terstappen C., Homogenous Disharmonies, in  “Kris Scholz - Photography” Edition Braus, München, Germany 2002 ISBN 3-89904-028-7

EDITED CATALOGUES.

Terstappen, C(ed), Wunderforschung, Museum for Natural History, Berlin 2008

CATALOGUE ESSAYS.

Terstappen, C., ‘Träume machen Jagd auf Bilder’, in : ‘Linien Stiller Schönheit, aus der Sammlung DKM_Band 1’, Museum/Stiftung DKM, Duisburg 2008, ISBN 3-981500-0-2, S. 228-231

Terstappen, C., ‘Pictoral Strategies’, in: ‘Douglas Kirwan, Pattern and Narrative’

Counihan Gallery, Melbourne 2008, ISBN 978-0-646-50157-4

Terstappen, C., ‘Dual Carriageways’, in: ‘Parallel’ ,Salamanca Arts Centre, Tasmania, 2008; ISBN 978-0-646-49783-9, S. 14–17

Terstappen, C., ‘Silent objects of being’, on Vito Bila, catalogue, Australian Contemporary, Collect 2007,  Melbourne  2007,  ISBN978-0-9750468-5-2

Terstappen, C., ‘ Jewellery as a repository for nature’, in ‘Marian Hosking, Tracks – works in silver 2005 / 2006’, Monash Asia Institute Clayton, ISBN 1-876924-46-2

Terstappen, C., ‘Going for a walk’, 1998, on  Victor Perezporro’, Barcelona 1998

Terstappen, C., ‘ Homage an einen Magier ´ Museum Bochum, on - Fujio Akai, Germany 1998

Terstappen, C.,  ‘Photography’, Europäische Akademie für Bildende Kunst, Trier 1998, Germany

Terstappen, C., ´ Lessons of the Other ´, 1996 in ‘Picante’ for the MA European Fine Art Program of Winchester School of Art, 1996, Barcelona

Terstappen, C., ´Tierzeichnungen´, on Michael Kukulies 1987, Germany

RESEARCH PROJECTS & COLLABORATIONS.

2006 – 2008 “Wunderforschung”

 A research collaboration between scientists, philosophers, children and an artist exploring the nature of gaining knowledge and breaking the boundaries of isolation between scientific, philosophical, artistic and children’s research. The project focused on ‘miracles’, ‘strange natural appearances’ and the latest technological inventions exploring historical as well as contemporary methodologies of understanding.

In addition to my involvement in research, I also documented the collection of the Natural History Museum(Berlin), resulting in a series of large format photographs. In addition I was commissioned to design the exhibition, which included site specific furniture and working closely with architects to supervise the production and installation of the exhibition.

Research partners: 
 Max-Planck-Institute, Department for the History of Science, Berlin
 Museum for Natural History/ Humboldt University, Berlin
 Comenius Garten, Berlin

Research outcome:
 An exhibition combining all research results at the Museum for Natural History (2. Februar bis 30. April 2008), accompanied by a 40-page publication (Wunderforschung, Museum for Natural History, Berlin 2008, edited by C.Terstappen) and daily workshops at the museum during the same period of time.

Funded by:
 Hauptstadtkulturfond, Berlin, Germany

2007/2008 'Far Away – So close’

A research project documenting Germans living in Australia and recording their unusual life stories.

This project followed the photographic series by the Australian artist Che Chapman, resident in Berlin, who explored the lives of Australians living in Germany.

Research partner:
 Goethe Institut Australia

Research outcome:
 The project resulted in the production of a large series of images and the selection of 25 photographic portraits and a summary of their life-stories.

The photographs and texts were exhibited at the Immigration Museum Melbourne in September 2007, followed by the Goethe Institut Sydney in December 2007. Other exhibition venues will follow.

The project was accompanied by a catalogue and an interactive portal www.goethe.de/faraway that showed all photos from the double exhibition and offered interested readers the possibility of telling their own German-Australian stories.

Funded by:
 Goethe Institut Australia and Germany

2008 “Out of the Square”

Out of the Square is the title of the Mornington Peninsular Regional Gallery (MPRG) exhibition, curated by Rodney James exploring current and future architectural concepts embracing environmentally sustainable principles. As part of the exhibition I was commissioned to research and document local features and specific characteristics of the Mornington Peninsular that inspired the architectural responses/coastal residencies.

Research partners:
 Mornington Peninsular Regional Gallery
 Senior Curator Rodney James

Research outcome:
 The production of a  series of photographic images for the exhibition and the 95-page catalogue publication; ‘Out of the Square’, Beach architecture on the Mornington Peninsular, Mornington Peninsular Regional Gallery, 2008 ISBN 9780975782576

Funded by:
 Mornington Peninsular Regional Gallery

CURATED EXHIBITIONS.

2019 Something inherent in Nature, invited curator, Tinning Street Gallery, Melbourne

2010 LOOP’10, International Video Art Festival in Barcelona Invited curator of Australian video art work.

2009 LOOP’09, International Video Art Festival in Barcelona Invited curator of Australian video art work.

2009 Co-curator of  the 2009 Devilbend project at the Mornington Peninsula Regional Gallery (MPRG) (in progress).

2008 LOOP’08, International Video Art Festival in Barcelona Invited curator of Australian video art work.

1998 Co- curator of ‘Foreign affairs’, Kunsthalle der Europäischen   Akademie Trier.

1995-2004 Gallery director of Gallery ‘ panorama’ in Barcelona